Tu Hai Kahan by Kamlesh Deepak Drolia
Tu Hai Kahan.....
A beautiful song sung by Kamlesh Drolia, composed by Kamlesh Deepak Drolia and lyrics by Naveen Mishra.
Narayani Droliaz Digital - A Showreel
Some glimpses of Audio-Visual works by Narayani Droliaz Digital. The music used is from the album "Cafe Fluid (2010)".
We are in Top 8
We are again amongst Top 8 all over India in Rhythm Valentine 2010 on Tempostand.com. Listen our new song "Sapne" at http://www.tempostand.com/rv10-entries/
A R Rahman brings Grammys to India
Indian composer AR Rahman has won two Grammy Awards at the prestigious US music ceremony in Los Angeles.
Rahman received awards for best film song and best soundtrack, both compositions for the Oscar-winning film Slumdog Millionaire.
Rahman won two Oscars, a Bafta and a Golden Globe last year for his soundtrack to the multi award-winning Slumdog Millionaire.
The composer is often called the Mozart of Madras, the city where he works.
Rahman won in the best compilation soundtrack for a motion picture. His Jai Ho song in the film also won in the best motion picture song.
"This is insane, god is great again," Rahman said as he accepted as he accepted his award.
Sitar maestro Ravi Shankar, guitarist Vishwa Mohan Bhatt and tabla player Zakir Hussain are the other Indian musicians who have won Grammy Awards.
Back with the Bang !!!
For a while we were away and don't have time to update but now we are back with lots of new and exiting stuffs. So lets go frenzyyyyyy.
Dil Me Baji Guitar
Enjoy the karaoke of "Dil Me Baji Guitar" from the movie Apna Sapna Money Money. More & more karaoke coming.
Aakhon me teri ajab si ajab si
As told, we are back with a superhit song Ajab si from Om Shanti Om. Enjoy the Karaoke and more listed on the left sidebar.
Hi Friends! Back again with lots of fun
Sorry for not posting for quite a some time. But here we are back again to rock with you with lots of new stuffs to come. Keep following.
JHALAK DIKHLA JA KARAOKE
This Song from the film AKSAR, a Himesh wonder, has been remixed by us in original format of the song. This will certainly make you sing as well as dance. Please………….do leave your comments at the bottom of this page.
Ten Tips for Singers to Keep Voices at Prime
Drink up to 8-10 glasses of pure water every day (any caffeinated drink does not count). Water thins your mucus and lubricates your vocal cords like oil lubricates a car engine. Thick mucous causes friction and trauma to vocal cords. More water, less friction, less trauma, better voice.
Warm up your voice regularly. Simple warm ups are recommended, especially for auditions and performances (just as runners warm up for a marathon). Better yet, take a classical music approach: do glissandos (descending scales) and staccatos (punctuated breathing exercises) and messadivoce (controlling intensity of volume).
Take vocal "naps". Your voice needs a rest, just like you do. So, find quiet time everyday - especially when on tour.
Get adequate sleep. Sounds like common sense -- and it is. The more sleep you get, the more you will be awake and have more energy for a show.
Do not smoke anything. No finger wagging here, it's just that smoke is an irritant that swells your vocal cords. And a reminder: New York bars are smoke free, so you can play in any venue without the damage of second hand smoke.
Use your microphone. There is no need to sing to the back of the room. Let the microphone be loud for you. Using the microphone prevents straining your voice.
Have good monitors. You need to hear yourself for vocal feedback. Use a floor monitor or ear monitor to be aware of what you sound like, what the band sounds like. You may be singing louder than you need and straining your voice.
Develop good singing technique. Vocal training will not change your style. It will strengthen your voice and allow you to sing longer, louder, more often and without fatigue. Vocal training will help make you a vocal athlete.
Develop a speaking voice to go with your singing voice. You speak 99% of the time and sing 1%. A poor speaking voice often leads to vocal strain that will carry into your singing voice. This is true especially on tours, when giving radio and other media interviews.
Most importantly, listen to your voice. Like any athlete, you will be the first to know when trouble is starting. If you voice hurts, back off. Change your set. Chose songs you can sing without straining your voice.
By Michael J. Pitman, MD, New Director, Center for Voice and Swallowing.
Warm up your voice regularly. Simple warm ups are recommended, especially for auditions and performances (just as runners warm up for a marathon). Better yet, take a classical music approach: do glissandos (descending scales) and staccatos (punctuated breathing exercises) and messadivoce (controlling intensity of volume).
Take vocal "naps". Your voice needs a rest, just like you do. So, find quiet time everyday - especially when on tour.
Get adequate sleep. Sounds like common sense -- and it is. The more sleep you get, the more you will be awake and have more energy for a show.
Do not smoke anything. No finger wagging here, it's just that smoke is an irritant that swells your vocal cords. And a reminder: New York bars are smoke free, so you can play in any venue without the damage of second hand smoke.
Use your microphone. There is no need to sing to the back of the room. Let the microphone be loud for you. Using the microphone prevents straining your voice.
Have good monitors. You need to hear yourself for vocal feedback. Use a floor monitor or ear monitor to be aware of what you sound like, what the band sounds like. You may be singing louder than you need and straining your voice.
Develop good singing technique. Vocal training will not change your style. It will strengthen your voice and allow you to sing longer, louder, more often and without fatigue. Vocal training will help make you a vocal athlete.
Develop a speaking voice to go with your singing voice. You speak 99% of the time and sing 1%. A poor speaking voice often leads to vocal strain that will carry into your singing voice. This is true especially on tours, when giving radio and other media interviews.
Most importantly, listen to your voice. Like any athlete, you will be the first to know when trouble is starting. If you voice hurts, back off. Change your set. Chose songs you can sing without straining your voice.
By Michael J. Pitman, MD, New Director, Center for Voice and Swallowing.
THE KEY TO GETTING A GOOD RECORDED VOCAL
BY ROBERT DENNIS, ADMINISTRATOR, RECORDING INSTITUTE OF DETROIT
The Key:
Vocals sound good only when they are “in tune”. If a singer is “flat” (or sharp) the vocal performance doesn’t sound as good and can even sound poorly recorded.
The Problem:
A singer sings in tune when he/she gets a good “pitch reference.” The ears, however, are not always correctly “hearing” the pitch.
When music is played loud, a person hears the bass frequencies flat. How Flat? A lot flat as much as the pitch difference of the next key on the piano and even more. In recording the singer hears the band through headphones. If these headphones are loud and bass-heavy, the singer will try to “tune” to what he/she hears and usually sing flat.
Its interesting to observe that if a singer is off during recording, it is usually because they are flat - not sharp.
The Solution:
The solution is simple. If the singer sings flat, reduce the headphone volume and reduce the amount of bass-frequencies in the headphones. This may require a little “training” for singers to get used to using lower volumes and less bass than they want in the headphones.
When singers insist on loud bassy headphones and always sing flat, I will suggest an experiment:
1. Have the singer sing a verse with the headphones loud and bassy. Record this on a track.
2. Have the singer sing the same verse on with the headphones much lower and with less bass. Record this second performance on a different track.
3. Without telling the singer which track is which, play each track with the music and ask which one the singer likes best. They will always choose the track done with the lower-volume, reduced bass headphone mix.
Conclusion:
Two rules to record vocals by:
1. If the singer is having problems with intonation (being in tune), use different headphones volumes - usually turn down the volume and turn down the bass.
2. Use the minimum amount of reverb possible when doing vocal recordings.
Vocals sound good only when they are “in tune”. If a singer is “flat” (or sharp) the vocal performance doesn’t sound as good and can even sound poorly recorded.
The Problem:
A singer sings in tune when he/she gets a good “pitch reference.” The ears, however, are not always correctly “hearing” the pitch.
When music is played loud, a person hears the bass frequencies flat. How Flat? A lot flat as much as the pitch difference of the next key on the piano and even more. In recording the singer hears the band through headphones. If these headphones are loud and bass-heavy, the singer will try to “tune” to what he/she hears and usually sing flat.
Its interesting to observe that if a singer is off during recording, it is usually because they are flat - not sharp.
The Solution:
The solution is simple. If the singer sings flat, reduce the headphone volume and reduce the amount of bass-frequencies in the headphones. This may require a little “training” for singers to get used to using lower volumes and less bass than they want in the headphones.
When singers insist on loud bassy headphones and always sing flat, I will suggest an experiment:
1. Have the singer sing a verse with the headphones loud and bassy. Record this on a track.
2. Have the singer sing the same verse on with the headphones much lower and with less bass. Record this second performance on a different track.
3. Without telling the singer which track is which, play each track with the music and ask which one the singer likes best. They will always choose the track done with the lower-volume, reduced bass headphone mix.
Conclusion:
Two rules to record vocals by:
1. If the singer is having problems with intonation (being in tune), use different headphones volumes - usually turn down the volume and turn down the bass.
2. Use the minimum amount of reverb possible when doing vocal recordings.
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